Stewart PringleOld Red Lion Theatre

“Luke’s work on ‘Odd Shaped Balls' was superb. From concept, to model box, to final execution and finishing. I would have no hesitation in recommending Luke as both designer and graphic designer, and expect to see great things from his future career.”

Max RobertsLive Theatre

“Luke's time as one of Live Theatre's associate artists has culminated recently in a delightful set design for 'The Terminal Velocity of Snowflakes'. His design was beautiful, effective and resourceful. He worked fastidiously with a tight budget and creatively and collaboratively with the other members of the creative team - his setting taking light especially effectively.”

Melanie RashbrookeThe Six Twenty

“Luke brings a lot of creativity to a design whilst appreciating the practicalities and demands of a specifics project. Luke created a really effective design that could adapt and be flexible in a variety of spaces. He’s a great collaborative designer and we can't wait to work with him again. ”

Andrew TwymanPlane Paper Theatre

“Luke is an absolute pleasure to work with, engaging, creative and supportive of any ideas that are discussed. Luke has the collaborative and artistic approach to support your vision, while enhancing it with his own exceptional talent.”

Richard BeckBroadway Baby

“...The neatly constructed set for ‘Odd Shaped Balls’ has discrete areas, yet overall it possess almost a doll’s house’s unity of design and is fully integrated into the story...”

Annabel MellorWest End Wilma

“...The clever set aids the fast-paced storytelling, incorporating a pub, a sweaty changing room, a living room and a rugby pitch all within the small corner space at the Old Red Lion Theatre. It’s an intelligently designed production....”

Rebecca JonesA Younger Theatre

“...Marrs moves from room to room, from scenario to scenario, with the kind of smoothness that can only come of a perfect set. It’s a set so fine-tuned that it takes a one hour fringey show in a pub in north London to somewhere altogether more West Endy...”

Terry EasthamLondon Theatre1

“...The audience were confronted with a Rugby club bar, locker room, office/parental living room and portion of a rugby pitch and every single aspect of it was absolutely perfect. The attention to detail was something you would expect to see on a West End Stage. Fantastic...”

Rebecca JonesEverything Theatre

“...A set so detailed that it is flawless. The room was transformed into multiple locations so smoothly that I barely noticed they weren’t one and the same. An entire world has been created and yet they made it look simple...”

Ellen BuckleyKing’s Head Theatre

“Luke will go above and beyond to achieve a detailed and harmonious aesthetic for your production. He is a creative, innovative and artistic collaborator whom I would highly recommend for both set and graphic design.”

Peter LathanBritish Theatre Guide

“...The set, for ‘The Terminal Velocity of Snowflakes' by Luke W. Robson, made mainly of paper, is simple but very effective...”